Wednesday 24 February 2016

Presenting iPhone Cases

http://fineartamerica.com/profiles/francine-heykoop/shop/iphone+cases

The main reason that I opened a Fine Arts America account was the fact that I could easily make my paintings available in the form of prints. They do all the complicated work. All I have to do is bring my work, select the appropriate options and they make it available to the public. If someone likes my work, they purchase it, Fine Arts America prints it and ships it. They send me my mark up without any further worries on my part.

Along the way I noticed that my work could be featured in other ways on additional products. These iPhone and Galaxy cases are some of my favourite products. Most of them turned out absolutely beautifully.

http://fineartamerica.com/profiles/francine-heykoop/shop/iphone+cases

The whimsical piece I painted with the bees pictured above makes an exceptional case in my view. We had considered replacing it on the site until we saw the phone image. I don't have an iPhone, but if I did, I'd love to have that on my phone.

If you want to purchase one of these beautiful cases for your own iPhone or Galaxy, it's simple. Just click on any of the three images in this post. You will be taken to Fine Arts America on the iPhone page where you can see all of the available images. They can be selected and ordered right there.

http://fineartamerica.com/profiles/francine-heykoop/shop/iphone+cases

Wednesday 17 February 2016

Dunkerque Windmill

http://fineartamerica.com/featured/dunkerque-windmill-north-of-france-francine-heykoop.html
Dunkerque Windmill

After completing my painting “Versailles”, I was looking for something smaller and less complicated. I was still looking to paint something that would have some meaning to me in the way of family history. I settled on this windmill scene from northern France.

My mother's maiden name originated in the north of France so I felt this was fitting. My maiden name is French-Canadian. It no longer exists in France and may have originated in The Netherlands like my husband's. For that reason this is likely not the last windmill I will ever paint.

The original painting is available. The dimensions are 16 inches by 20 inches and it is acrylic on canvas. The asking price is $190 Canadian plus shipping. Please email me if you are interested. For prints and other products click on the image attached to this post.

Saturday 13 February 2016

Japanese Girl

http://fineartamerica.com/featured/japanese-girl-francine-heykoop.html
Japanese Girl






Back in 1984, I began working with a private tutor in Farnham, Quebec. Madame Provencher painted in oils primarily, but at eighty years old her hands were beginning to shake and she was no longer able to paint with the precision she expected of herself. She began working more with watercolour and other mediums. I have very fond memories of the times she and I spent together developing me as an artist.

This picture is mixed medium, primarily charcoal and pencil, with the flower in her hair and the beads on her earring in white oil paint. She helped me create this in my first lessons and it is the oldest work in my collection. There is a companion picture done right after this that is not currently on the site. I know where it is and once we've uploaded and prepared the image it will be added. The second I did entirely by myself.

The original does exist but is not for sale. It is a memory of my tutor that means far too much to me personally. Prints and other products of course are available for sale through my Fine Art America account. To get there you only have to click on the image itself.

Thursday 11 February 2016

Adventurous Chicks

http://fineartamerica.com/featured/adventurous-chicks-francine-heykoop.html
Adventurous Chicks

While living in Ontario raising our family, we hobby farmed the small country property we lived on. One of our most successful ongoing projects was raising chickens. I loved tossing scraps to them and watching the flock scramble for their share. The peaceful clucking of the hens, the peeping of baby chicks and even the crowing of our roosters are sounds I truly miss from that time. Watching baby birds hatch in the spring is a magical experience. Our children played with them and named every single one even when we had close to fifty birds at one point.

My husband and children are very much into writing and of course our chickens crept into some of their stories. My daughter and one of my boys came up with a children's story, which is to this day not completely developed and still unpublished. The story features two young chicks, Nutmeg and Peanut, who are very adventurous and this leads them into potential trouble. Knowing that the story needed illustrations, this pastel work came to be. There were several other pictures for that story but not enough to complete the book. At this point in time there isn't a collective desire to push the project further although that may change in the future.

The original is not currently available for sale, however, prints and other products are available simply by clicking the image with this post. You will be redirected to my Fine Art America account where you can see all the products, prices and make any purchases.

Saturday 6 February 2016

Family Cycling Tour

Family Cycling Tour

With all the bicycle trips our family took over the years and all the photos from those rides, I just had to make a painting with us in action. It might not be the last one.

At the time of the tour this was taken from, we were living in Alexandria, Ontario. During the summer the factory where my husband was working closed for two weeks giving us the opportunity to plan a bike trip. We spent several months training with our four children at the time. The oldest was nine years old and the youngest was five. Everyone carried their own bedding and eating utensils. My husband followed up our train of bicycles with a bike trailer full of other equipment.

Our initial tour went from Alexandria down to the St. Lawrence River and then along the river through Cornwall. We looped back tracing part of our earlier route returning to Alexandria. We were on the road for five days. After a few days rest, we went for another two days. This time we rode to St. Polycarpe, Quebec and back. In all we covered better than 200 kilometres before that summer vacation came to an end.

The painting is of myself and the four kids riding in the centre of St. Polycarpe. My husband and his gear are not in the picture. It would have thrown it all off balance to try and squeeze him in there. One thing we liked about riding in Quebec is that most towns have a substantial church building. You can see the spire from quite a distance. It gave us a goal to aim for.

The original painting is available. The dimensions are 16 inches by 12 inches and it is acrylic on canvas. The asking price is $175 Canadian plus shipping. Please email me if you are interested. For prints click on the image attached to this post.

Tuesday 2 February 2016

Versailles

http://fineartamerica.com/featured/versailles-palace-francine-heykoop.html
Versailles


There is a connection between me and the palace at Versailles and that is the reason I chose to paint it. My family came to North America in the person of Louis Boulduc who was a French soldier. When he was finished serving the king in that capacity, he decided to stay and be a settler in the small colony. He married a politically well connected “filles du roi” and was appointed Procurator/Proxy of the King for the Provost of Quebec, by Louis XIV. He worked along side Frontenac, the colony's leader at the time.

Frontenac made a lot of enemies especially the church, but was pretty much untouchable. Louis Boulduc was not untouchable. While he was likely no saint (neither was Frontenac), he couldn't have been anything approaching the scoundrel he was painted to be. The end result was that he was removed from his position and eventually recalled to France where he disappears from history.

Both he and his wife returned to France possibly with several of their daughters. All their other children were left in New France to carry on the family name (which ceased to exist in France). The family named morphed into Bolduc and eventually I came on the scene.

When my ancestor was recalled to France it is likely he was summoned to Versailles at least once. His fate was decided there so for me this place is part of my family history.

Anyone interested in purchasing copies of this painting, please click the picture with this post. The original is available 30" X 20" acrylic on canvas. The asking price is $375 Canadian plus shipping or best offer. If interested contact me by email. Please no low offers.  I would rather keep it.